项目结构比较方正，在动线和区域的划分上我们做了比较大的调整，将接连客厅的寝室墙体摘掉考虑为一个可开合的折叠窗景，一个横向2.3米的书桌台面置于下方。为保证区域光线不被隔绝在房间内，将南侧光线引入走廊，结合原建筑外立面的玻璃幕墙材质，我们同时采用了两扇天地轴的长虹玻璃门处理，大面积用不锈钢材质的柜体将进入到室内的光进行二次反射，并用清水混凝土预制板来调和整个空间营造对比反差感，让置身在其中时感受到情绪的变化。空间由南向北做了四层递进关系，模糊空间的区域划分同时也在强调关系的交互。实现了动线和视线交叠与穿透。
The homeowners are two couples who love life and travel very much. They let us have no limits on the combination of soft furnishings, including Moroccan pillows, hand-painted mud dyed cloth strips from Africa, Bohemian wall decorations, and other different items. The designer takes "product" as the meaning, deepens the tripartite thinking, and expresses it through the overall combination of "visual touch", material contrast, and relationship proportion. The exploration from the outside in is in line with the homeowner's life experience and humanistic resonance.